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Chinese drama

《欢乐颂》映射现实 - “樊胜美”被道德绑架

Chinese actress Jiang Xin

【新浪评论】文/张周项 公号“世界观”
大家最近追剧《欢乐颂》了吗?
实不相瞒,周四周五那几集,小观是上了装备才看完的。手边搁了块板砖,看到樊胜美被父母哥嫂逼到绝望处,恨不得冲进屏幕去,(此处省略一段暴力文字……)
所以,直到今天小观怒气消散了,才敢予以置评。莫怪小观冲动,剧中樊家太不把女儿当人了!独自一人在上海打拼,每月拼死累活领点薪水,要负担父母的生活费,要给哥哥家买房子出首付还贷款,还要帮哥哥找工作,哥哥打架惹事了还要她赔对方医药费,父母逃难到上海还嫌她住的比哥哥好(每月1800,三人合租,在上海),哥哥逃难居然还在找她要生活费。为了补贴父母哥嫂,她找同学朋友借遍了钱,导致人都躲着她。把女儿逼上绝路,只为了一个坐吃山空的儿子,这家人所作所为,完全配的上奇葩二字。
翻开微博,有此想法的不止小观一人。微博上#心疼樊胜美#的话题持续占据热评榜,樊胜美的扮演者蒋欣则笑称这几天不少人要给自己转账。很欣慰,这至少说明樊家此举不得人心,大部分观众心中还是有杆秤的。
很多人在评论中指责樊家重男轻女,小观觉得,比重男轻女还要可怕的是道德绑架。随着社会的进步,重男轻女作为一种千年前遗留下来的想法,总会被时代抛弃,但道德绑架似乎有愈演愈烈之势。

Facial makeup of Peking Opera

The facial makeup used in Peking Opera stemmed from performances that can be traced back 1,400 years. Different colors of makeup, as well as the various facial expressions, represent different characters, personalities and fates of the roles.

Series uncovers Peking Opera

Peking Opera is one of China's best known cultural symbols - a unique stage performance that has charmed people for hundreds of years. But despite the opera's fame around the world, few people really know of the art form's history and understand its cultural significance to China. CCTV documentary production "Peking Opera" is just about to reveal the stories behind this form of Chinese opera.

Yue Meiti - Kunqu Opera's great survivor

Yue Meiti plays a young male role in a Kunqu Opera performance

Kunqu, also known as Kunju, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. It evolved from the Kunshan melody, and dominated Chinese theatre from the 16th to the 18th centuries. The style originated in the Wu cultural area.
Kunqu was developed during the late Ming Dynasty (14th century), and a famous early pioneer was Gu Jian of Qiandeng town in Kunshan. Kunqu has influenced on many other Chinese theatre forms, including Jingju (Peking Opera). Its emergence ushered in the second Golden Era of Chinese drama.
Kun Qu songs are accompanied by a bamboo flute, a small drum, wooden clappers, gongs and cymbals, all used to punctuate actions and emotions on stage.

《中国京剧有声大考》

《中国京剧有声大考》精选了自1910年中国有现代音响技术设备以来至八十年代间谭鑫培、孙菊仙、汪笑侬、刘鸿声、王瑶卿、杨小楼、余叔岩、梅兰芳等120位杰出的唱工演员的280个精彩唱段,其中生、旦、净、丑齐全,唱白兼备,名唱荟萃,百花争妍。有的唱段为世所罕见,珍贵无比!这套有声大考,不仅具有重要的欣赏价值,而且具有重要的资料价值,足以代表中国京剧声乐艺术的最高水平。

The Vocal Art of Chinese Beijing Opera

The Vocal Art of Chinese Beijing Opera comprises some 283 excellent arias sung by more than 120 eminent Beijing Opera artists over the period from 1910 to the 1980s. Among them were Tan Xinpei, Yang Xiaolou, Yu Shuyan and Mei Lanfang. This collection, which represents the top-level vocal art of Beijing Opera, not only meets the need for entertainment, but is of great value to scholars in the history of Beijing Opera.

Selected Beijing Opera Arias CDs and Performce DVDs

Beijing Opera is a performing art unique in its aesthetic achievement. Though Beijing Opera is a combination of many aspects of the performing art, vocal art is its most essential part. It can be said with certainty that without vocal art there is no opera. The singing of both male and female roles is diverse and expressive, giving vent to their innermost feelings and emotions. It has an enchanting artistic appeal.

Peking Opera renaissance

Children performers

Peking opera or Beijing opera (simplified Chinese: 京剧; traditional Chinese: 京劇; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.

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